Rembrandt's granddaughter is baptized. Rembrandt's Life of Christ: Paintings, Drawings, and Etchings by Rembrandt, with Quotations from the Gospels and the Gospel Stories Retold Rembrandt lodged in the house of an art dealer called Hendrick van Uylenburgh, and while there, he met his landlord's young cousin Saskia. The drawing manner is always loose and open, and the models are positioned in typical studio poses. About 1,400 attributed to him survive, and probably at least an equal number have been lost. It was only later that they began drawing nude models. In range, originality, and expressive power, his large production of paintings, drawings, and etchings has never been surpassed. St. Jerome Reading in an Italian Landscape, The drawing is related to the etching B104, Pen and dark greyish brown ink with greyish brown wash on grey paper, The drawing is related to the etching B213, Landscape with the House with the Little Tower, The drawing is related to the etching B235, View of Haarlem with the Saxenburg Estate in the Foreground, Pen and brown ink, brown wash, heightened with white, The drawing is related to the etching B234, Landscape with a Farmhouse and a Hay Barn, Pen, brown ink and brownish wash on light brown paper, The drawing is related to the etching B224, Farmhouse beneath Trees, with a Footbridge, Reed pen and brown ink, grey wash, some white highlighting on brownish paper, The drawing is related to the etching B222, Inscribed Rembrandt aen Joannes Sicx. Thus it is likely that inexperienced collectors, misled by the simplicity of the drawings and ignorant of their authorship, discarded them. Browse Rembrandt Catalogue Raisonnés Online.. Rembrandt’s life was riddled with extreme highs and lows, yet he remains one of the most accomplished artists of all time. A multifaceted artist, Rembrandt excelled in the mediums of painting, drawing, and etching. Although his public life was on track, his private life … In 2016, ING and Microsoft collaborated to produce “The Next Rembrandt,” a 3D printed object that … The painting is… website / rembrandt links, 135 Drawings and Etching by Rembrandt at the, A Woman and Child Descending a Staircase, Ganymede Carried Away by the Eagle of Zeus, Landscape with a Man Standing by a Road, A Woman Comforting a Child Frightened by a Dog, A Woman with a Child Frightened by a Dog, Saskia Lying in Bed, a Woman Sitting at her Feet, An Elephant, in the Background a Group of Spectator, Three Studies of a Child, One Study of a Woman. A prolific painter, draftsman, and etcher, Rembrandt van Rijn is usually regarded as the greatest artist of Holland’s “Golden Age.” He worked first in his native Leiden and, from 1632 onward, in Amsterdam, where he had studied briefly (ca. Cornelia often read the Scriptures to her children, which provided a strong sense of God, man, and nature for the young and profoundly Christian Rembrandt. During the 1630s Rembrandt depicted many figures wearing Middle Eastern garments in his paintings, drawings, and etchings. In 1631, Rembrandt moved to Amsterdam, which at the time was rapidly expanding, and had great success painting personal portraits. Cleaning in the mid-1940s revealed that it is set in daylight. Year: 1669. Rembrandt van Rijn had a lifelong interest in the humanity of his subjects, and this drawing of a man leaning on a stick is a particularly vibrant example. Staatliche Graphische Sammlung, Munich, Cottages before a Stormy Sky His vision of humanity was refreshingly robust and vital, rather than sentimental. The pen-and-ink drawing, Woman lying awake (c. 1635–1640), is thought to represent his wife Saskia van Uylenburgh. 1624) with the influential history painter Pieter Lastman. Without a doubt the most famous of all Rembrandts paintings, The Night Watch is a group portrait of the militia company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburgh (in the center). Oil on Canvas - Mauritshuis Art Museum, The Hague, The Netherlands. Rembrandt's firsthand investigation of lions enabled him to … c. 1635-38 In 1634 he married his wife, Saskia van Uylenberg, and in the same year began taking art students in Amsterdam. dat... Posthumous Portrait of the Preacher Jan Cornelisz. Rembrandt paints three self portraits in the last year of his life. There are fourteen prints of this kind by Rembrandt. 1634, Brown pen, gray brush, brown brush, black chalk, red chalk, green chalk, black pen, Inscribed t vel daer aen ende voorts de rest bysleepende, The Angel Preventing Abraham from Sacrificing his Son, Isaac, Red chalk over black chalk, with grey wash, on paper prepared with light brown wash, Regarded as a preparatory drawing for the painting W136, Red chalk, heightened with white, on paper, Related to a lost painting by Rembrandt that was reproduced in a print by his associate Jan van Vliet in 1631, The drawing is related to the painting W113, The drawing is related to the painting W135, The drawing is related to the painting W137, Regarded as a preparatory drawing for the painting W137, The drawing is related to the painting W173, The drawing is related to the etching B097, The drawing is related to the etching B124, The drawing is related to the etching B340, Pen and brown ink, locally gray wash, corrected with white bodycolour, The drawing is related to the etchings B365, B367, B368, The drawing is related to the etching B019, Inscribed on the reverse verkoft syn vaendrager synd – 15 - / een floora verhandelt – 6 -/ (f)ardynandus van sijn werck verhandelt / aen ander werck van sijn voornemen / den Abraham een floorae / Leenderts floorae is verhandelt tegen 5 g, The drawing is related to the painting W213, Pen and iron-gall ink on paper tinted with a pale yellow wash, Inscribed een kindekin met een oudt jack op syn hoofdken, The drawing is related to the etching B038, Joseph Distributing Corn in Egypt, after Pieter Lastman, The drawing is related to the etching B002, Inscribed in ongenaeden synden en werden niet geschooren, Inscribed een dijvoot thresoor dat in een fijn harte bewaert wert tot troost harer beleevende siel, Inscribed een vrouw wijst op een jonck kind, Pen and brown ink and brown wash, with red and perhaps some black chalk, The drawing is related to the etching B037, Studies of a Woman Reading and an Oriental, The drawing is related to the etchings B098, The drawing is related to the painting W47, The drawing is related to the etching B028, Pen and brush in brown, corrected with opaque white, tinted paper, The drawing is related to the etching B369, Portrait of Baldassare Castiglione, after Raphael, Inscribed de Conten batasar de kastijlijone van raefael / verkoft voor 3500 gulden / het geheel cargesoen tot Luke van Nuffelen heeft gegolden f59456:- Ao 1639, Pen and brown iron-gall ink, with brown wash, heightened with white, Regarded as a preparatory drawing for the painting W184b, Woman in a Rich Dress and a Fur Hat, Seen from Behind, The drawing is related to the etching B109, Pen and brown iron-gall ink with brown wash and touched with white, on paper washed brown, The drawing is related to the etching B192, The drawing is related to the etching B049, Inscribed Rembrandt f. 1640. Rembrandt's Drawings Rembrandt was one of the greatest draftsmen in the history of art. They were probably all drawn directly into the etching plates. From his early, colourful history paintings to his glowing late works, it is clear that he was an artist continuously in search of new stylistic modes of expression and that he belongs to that small category of … ]oede mannen willen laten ver blijben / dan tijssen te vragen of Hij niet een / beijden d schilderien gelieft opgemaeckt te hebben / geen van beijden begerende. He significantly depicts a frightened Daniel appealing to God for his life after being tossed into the lions' cave. Rembrandt guarantees that the watcher comprehends the account without interruption by restricting the hues just to dim or brilliantly lit aside from the bleeding left lower arm being dismembered close to the focal point of the arrangement. ', The drawing is related to the painting W299, Pen and brush in brown, corrections with white. Yet the very spontaneity and economy with which Rembrandt sketched his impressions make them dazzling to connoisseurs. Painted in 1642, The Night Watch isnt a night scene as long believed. The reasons for the loss, aside from fire, flood and negligence, may be divined from the drawings that remain. This site is a ‘work-in-progress’ catalogue of all the known drawings by Rembrandt van Rijn (1606-1669). Although not as mind-bogglingly comprehensive as the Essential Vermeersite, Rembrandt: life, paintings, etchings, drawings and self portraitsis still an amazing resource, containing over 100 paintings, 50 drawings and the complete set of all 289 of his etchings, as well as biographical information, museum listings, links and more. http://www.garyschwartzarthistorian.nl/schwartzlist/?id=148, Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=List_of_drawings_by_Rembrandt&oldid=967121584, Creative Commons Attribution-ShareAlike License, The drawing is related to the painting W27, The drawing is related to the painting W37, Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink, The drawing is related to the painting W106, The drawing is related to the painting W23, The drawing is related to the etching B095, Study for Judas Returning the Thirty Pieces of Silver, The drawing is related to the etching B162, Pen and brown ink with grey wash; ruled framing lines in the same brown ink, The drawing is related to the etching B013, The drawing is related to the etching B338, Indented for transfer to the etching B149, Indented for transfer to the etching B201, Related to lost painting reproduced in a print dated 1631 by Jan van Vliet, The drawing is related to the etching B325, Signed with the monogram RHL and dated 1631, Old Man with Clasped Hands, Seated in an Armchair, Indented for transfer to the etching B291, Red chalk, slightly touched with white chalk, The drawing is related to the etching B315, The drawing is related to the etching B138, The drawing is related to the painting W130, The drawing is related to the etching B133, Inscribed dit is near mijn huisvrou geconterfeyt / do sy 21 jaer oud was den derden / dach als wij getroudt waeren / den 8 Junijus / 1633 (This was portrayed after my wife when she was 21 years old, the third day after we were married. Because he usually regarded his drawings the way a novelist regards the ideas he jots down in his journal--as a purely private record of observations and feelings--they are often deceptively simple. Reed pen and brush in brown ink, brown wash, corrected and heightened with white, on cashbook paper, The drawing is related to the painting W312, Pen and brown ink with greyish brown wash, The drawing is related to the painting W303, Pen, brush and brown ink, heightened with white, The drawing is related to the painting W301, This page was last edited on 11 July 2020, at 08:05. Indented for transfer to the etching B271, Red chalk, pen and wash in bistre, Indian ink, whity body colour, The drawing is related to the etching B092, Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper, The drawing is related to the etching B158, Pen and brown ink, corrected with white; framing lines in pen and brown ink, The drawing is related to the painting W162, The drawing is related to the etching B233, Two Men in Discussion, One in Oriental Dress, Quill and reed pen in brown ink with corrections in white bodycolour (darkened) on laid paper, The drawing is related to the painting W153, Windmill on the Bastion Blauwhoofd in Amsterdam, Oiled charcoal on brown tinted paper, framing lines with the pen in brown ink, gone over in pencil on the right side, Studies of an Officer, an Oriental and a Man in High Cap, The drawing is related to the painting W190, Inscribed …/ …samson/ sijnd troni/ een(?) 1652, The Ruins of the Old City Hall in Amsterdam (After the Fire), Inscribed vand waech afte sien stats huis van Amsteldam doent afgebrandt was den 9 Julij 1652. CORE LIST OF RENBRANDT'S DRAWINGS BY GARY SCHWARTZ, 135 Drawings and Etching by Rembrandt at the Albertina, Vienna, Saskia Lying in Bed, a Woman Sitting at her Feet His production of drawings was as prolific as it was brilliant. Because he usually regarded his drawings the way a novelist regards the ideas he jots down in his journal--as a purely private record of observations and feelings--they are often deceptively simple. She may have been confined to bed during child birth, or because of ill-health – she died in 1642, eight years after their marriage in 1634. Aug 23, 2016 - Explore Kirk Miller's board "Rembrandt Pen and Ink Drawings", followed by 430 people on Pinterest. Inscribed on the reverse: Dees tekeningh vertoont de buiten amstelkant / Soo braaf getekent door heer rembrandts eygen hant / PKo (This drawing depicts the Buiten-Amstel, most able drawn by Master Rembrandt's own hand. They were married in 1634. The numerous paintings and drawings of her suggest the two were very happily married. 228 x 165 mm. Indented for transfer to the etching B285, The drawing is related to the etching B285, The drawing is related to the etching B074, Man Standing, a Cap in his Outstretched Right Hand, Study of a Seated Beggar Woman, Supplicating, The Amsteldijk at Meerhuizen, Looking Towards The Little Windmill. Wow. die een pijl wtreckt over/ … schouder, The drawing is related to the etching W120, Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage). The artist’s characteristic practice of contrasting heavily worked passages with lightly sketched or … Drawings were much prized during Rembrandt’s lifetime (1606–1669) and have remained perennial favorites since they began entering museum collections in the late 17th century. 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